Showing posts with label Silverstein Photography Annual. Show all posts
Showing posts with label Silverstein Photography Annual. Show all posts
Tuesday, September 25, 2007
Wednesday, September 12, 2007
more about Silverstein Opening
Now that I have had a bit of time to process the whirlwind visit I would like to share a bit about the wonderful things I was able to see and the incredible artists I had the opportunity to meet.
Upon arrival to NY we headed straight to Chelsea and visited Yossi Milo Gallery, ClampArt, Robert Mann Gallery and a sneak peak of Silverstein Photography. Out for a quick bite at Nisos on 19th St. and back to Silverstein for the opening. What a turnout! The gallery looked great- I was impressed with how they showcased 10 different artists and managed to give each one plenty of space. The gallery and the street outside were mobbed with people and energy.
It was an exciting evening and meeting the other artists in the show was one of the highlights.
Michael Lundgren is living and working in Phoenix AZ. I met him four years ago in San Francisco at one of Linda Connor's parties. It was great to reconnect with a fellow "landscape" photographer and his work was breathtaking in person.
Curtis Mann is finishing up his MFA in Chicago. I was happy to make another Midwest connection. The object that is the photograph - its emulsion and substrate- becomes the focus of Curtis' work. I enjoy how his photographs dance with drawing.
Will Michels was a joy to talk with. He is an animated storyteller and his passion for his work is palpable. I have seen his work in a variety of venues online and it was great to view the work in person.
Upon arrival to NY we headed straight to Chelsea and visited Yossi Milo Gallery, ClampArt, Robert Mann Gallery and a sneak peak of Silverstein Photography. Out for a quick bite at Nisos on 19th St. and back to Silverstein for the opening. What a turnout! The gallery looked great- I was impressed with how they showcased 10 different artists and managed to give each one plenty of space. The gallery and the street outside were mobbed with people and energy.
It was an exciting evening and meeting the other artists in the show was one of the highlights.
Michael Lundgren is living and working in Phoenix AZ. I met him four years ago in San Francisco at one of Linda Connor's parties. It was great to reconnect with a fellow "landscape" photographer and his work was breathtaking in person.
Curtis Mann is finishing up his MFA in Chicago. I was happy to make another Midwest connection. The object that is the photograph - its emulsion and substrate- becomes the focus of Curtis' work. I enjoy how his photographs dance with drawing.
Will Michels was a joy to talk with. He is an animated storyteller and his passion for his work is palpable. I have seen his work in a variety of venues online and it was great to view the work in person.
Sunday, September 09, 2007
short but sweet...
It was a whirlwind trip to NY this weekend. Flew into the city on Saturday afternoon attend the opening at Silverstein and flew back to Mil-town Sunday. The opening was a great time. I am exhausted tonight... will share more about the trip soon but thought I would share some pics of the evening...
Wednesday, September 05, 2007
Silverstein Photography Annual - this Saturday September 8, 6-8pm
I am excited to be heading out to NY for the opening of SPA at Silverstein Photography on Saturday night. The gallery just added more images of the show as well as the nomination letters from the curators view a list of them here
The following is Lisa Hostetler's statement about my work...
Lisa Hostetler for Sonja Thomsen
I discovered Sonja Thomsen’s work soon after my arrival in Milwaukee in 2005. At the time, she was in the midst of her Surface series, a group of images depicting the reflective surfaces of puddles and other mundane accumulations of liquid commonly found in and around urban terrain. Her attention to this humble subject, and the care and delicacy with which she rendered its appearance, gave me pause. Soon I realized that her photographs were not the formal abstractions that they at first appeared to be. Instead, they were about moments of heightened consciousness amid the flux of everyday life—as when you glimpse a reflection in a glass of water and are launched into a daydream.
Crude functions similarly, but it plunges even deeper into the matrix of thought and emotion that comprises contemporary American life. In the current political climate, oil is a complicated subject, evoking the energy crisis and the war in Iraq. For Thomsen, it is also personal: a cousin to whom she is close served as a marine in Iraq. Her oil photographs pique these associations, yet they are beautiful, with rich, creamy surfaces and subtle details that reward extended viewing. The series points to the ubiquity and influence of oil—that raw and mysterious substance on which third-world economies depend and first-world life runs—while reminding us of its virtual invisibility in daily life. How often do we see actual oil? Thomsen’s photographs invite us to stare at it and think about it. For me, the result is an uneasy conflation of personal and political blame, along with a slick reminder of how seductive it is to look without thinking. Crude doesn’t let me do that, and that is why I nominated Sonja Thomsen for this project.
Lisa Hostetler
Milwaukee Art Museum
The following is Lisa Hostetler's statement about my work...
Lisa Hostetler for Sonja Thomsen
I discovered Sonja Thomsen’s work soon after my arrival in Milwaukee in 2005. At the time, she was in the midst of her Surface series, a group of images depicting the reflective surfaces of puddles and other mundane accumulations of liquid commonly found in and around urban terrain. Her attention to this humble subject, and the care and delicacy with which she rendered its appearance, gave me pause. Soon I realized that her photographs were not the formal abstractions that they at first appeared to be. Instead, they were about moments of heightened consciousness amid the flux of everyday life—as when you glimpse a reflection in a glass of water and are launched into a daydream.
Crude functions similarly, but it plunges even deeper into the matrix of thought and emotion that comprises contemporary American life. In the current political climate, oil is a complicated subject, evoking the energy crisis and the war in Iraq. For Thomsen, it is also personal: a cousin to whom she is close served as a marine in Iraq. Her oil photographs pique these associations, yet they are beautiful, with rich, creamy surfaces and subtle details that reward extended viewing. The series points to the ubiquity and influence of oil—that raw and mysterious substance on which third-world economies depend and first-world life runs—while reminding us of its virtual invisibility in daily life. How often do we see actual oil? Thomsen’s photographs invite us to stare at it and think about it. For me, the result is an uneasy conflation of personal and political blame, along with a slick reminder of how seductive it is to look without thinking. Crude doesn’t let me do that, and that is why I nominated Sonja Thomsen for this project.
Lisa Hostetler
Milwaukee Art Museum
Tuesday, August 21, 2007
Silverstein Photography Annual...
Opening Reception: September 8th, 6-8pm
Silverstein Photography
535 W 24th Street
New York, NY 10011
Hope to see many friends in NY!
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